What we do
We book performers with productions in the erotic and adult field. We do not produce ourselves. That is a deliberate split: an agency that also produces is negotiating the fee against its own performers.
Our compensation comes from the productions, not from applicants. That is why we can promise that applying, casting and placement will cost you nothing—and why we have no interest in reducing your fee.
How we work
- Every application is read and answered by a person, within 48 hours.
- Before every booking there is a conversation in which limits are recorded in writing.
- Productions that do not meet our conditions no longer get bookings from us.
- We do not follow up. A no is a complete answer.

How you can measure us
Promises are worthless if they cannot be verified. These can be.
48 hours
Response time
For every application, including if it is rejected. If not, write to us — that is our mistake.
14 days
Payment deadline
After the shoot, by bank transfer, with a statement. Without you having to ask.
7 Tage
Deletion period
Starting with your informal email. Without follow-up questions or justification.
0 Euro
Placement fee
At no point in the Process, not even as compensation for expenses.
0 Prozent
Provision
None of your Fee goes to us, either beforehand or afterwards.
100 Prozent
Written documentation
No shoot without a contract, without the agreed Fee being recorded and without your Boundaries list as an appendix.
Why this page looks different from others
Anyone looking for a way in in this industry mainly finds two kinds of website. One promises a lot of money and quick fame and becomes concrete only when it asks you to get in touch. The other warns so thoroughly about every risk that it is unclear in the end whether anyone is being sought at all.
We have looked at the well-known German operators in detail. One thing stood out above all: none of them names a fee. Several charge applicants an “expense fee” for the casting. Several have no complete Imprint. And almost all of them address only men in their copy, even though they name women as their audience.
This can be done better without inventing anything. Write the numbers down. Make promises that can be checked. Explain what actually happens on set, instead of selling a fantasy. And speak to the people you are addressing.