What we do
We book performers with productions in the erotic and adult field. We do not produce ourselves. That is a deliberate split: an agency that also produces is negotiating the fee against its own performers.
Our pay comes from the productions, not from the applicants. That is why we can say that you will not incur costs at any point — and why we have no interest in pushing your fee down.
How we work
- Every application is read and answered by a person, within 48 hours.
- Before every booking there is a conversation in which limits are recorded in writing.
- Productions that do not meet our conditions no longer get bookings from us.
- We do not follow up. A no is a complete answer.
How you can measure us
Versprechen sind wertlos, wenn sie nicht überprüfbar sind. Diese hier sind es.
48 Stunden
Antwortzeit
Auf jede Bewerbung, auch bei Absage. Falls nicht: schreib uns, das ist dann unser Fehler.
14 Tage
Zahlungsziel
Nach dem Dreh, per Überweisung, mit Abrechnung. Ohne dass du nachfragen musst.
7 Tage
Löschfrist
Ab deiner formlosen Mail. Ohne Rückfragen, ohne Begründung.
0 Euro
Kosten für dich
An keiner Stelle des Prozesses, auch nicht als Aufwandsentschädigung.
0 Prozent
Provision
Von deiner Gage geht nichts an uns, weder vorher noch nachträglich.
100 Prozent
Schriftlichkeit
Kein Dreh ohne Vertrag, ohne festgehaltene Gage und ohne deine Grenzenliste als Anlage.
Why this page looks different from others
Anyone looking for a way in in this industry mainly finds two kinds of website. One promises a lot of money and quick fame and becomes concrete only when it asks you to get in touch. The other warns so thoroughly about every risk that it is unclear in the end whether anyone is being sought at all.
We have looked at the well-known German operators in detail. One thing stood out above all: none of them names a fee. Several charge applicants an “expense fee” for the casting. Several have no complete Imprint. And almost all of them address only men in their copy, even though they name women as their audience.
This can be done better without inventing anything. Write the numbers down. Make promises that can be checked. Explain what actually happens on set, instead of selling a fantasy. And speak to the people you are addressing.